To me, it was to have the experience of seeing them grow up and know that they’re gonna be okay in my mind. I wanted to push the characters as far forward for me as possible, knowing that I’m never going to get to write them again. It was tough because I wanted to show growth in Rusty as well.
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But it’s also brilliant and let’s figure out how to do it.” It felt shocking, but it also felt like the show a little bit and it gives some hope post-the show and if our characters find the hope post-the house to say the spirit of KT, as with the spirit of Greek is not solely resting in this house, as it doesn’t have to be resting in this show it can live on past the series finale. So about halfway through the ten I contacted the line producer and said, “I’m thinking about something crazy and tell me we can’t afford it, but I want to tear down the house.” And she was like, “That is crazy. I kind of had always committed to the idea that they saved the house in the end and everything is fine, but it was so obvious, it didn’t feel Greek, didn’t feel special enough.
There were so many memories and moments and emotions that had gone on through the house. We have these next ten episodes to wrap it up as opposed to just trying to do it all in a flash-forward.” I was trying to figure it out what really is the heart of the show. We kind of went into this next ten saying “This is a gift. Fortunately, our ratings went up in the third season, and people kind of rallied for the show, so we never had to show that.
We actually shot a series-ending flash-forward scene in the event that we were done and we also had the season-ender. So when I was writing the spring break episode, “All Children Grow Up,” I kind of thought we were done. We all thought that we were done at the end of the third season. To give a little backstory, we kind of came into the fourth season with a gift.
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